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Archive for the “Works” Category

Any first draft writing I may post from time to time.

So I have these massive folders on my laptop. I really should back them up… Anyway, every once in a while I’ll try to clean them out, streamline, organize, etc.

Well, I came across these few paragraphs today, and I thought, at first, it wasn’t my writing. I thought perhaps someone had sent me a story excerpt to review (which happens all the time between us writerly types). Perhaps that illusion that it wasn’t my writing let me read through it with interest (I tend to be a bit self-critical… another common occurrence in us writerly types!).

After I read the few paragraphs and thought for it a bit, I realized it was in fact my writing. It was a quick exercise when I was thinking about writing a short story for a Halloween contest for Apex Books last year. I never got the story off the ground, so don’t read this excerpt if you feel you need closure. But the theme of the short story contest was something about Aliens and Urban Legends, and I remember thinking that I was going to write the story from the perspective of the alien who inadvertently and haphazardly caused the majority of urban legends in Philly while he was in the very volatile process of maturing to adulthood. Interesting concept, right?

Well, it may have worked out if September, October and November … and December, for that matter, aren’t crazy months for me. No writing gets done then (in fact, in 2010 I’m going to make a concerted effort to make sure I don’t shut down in the fall and fall prey to the constant activities scheduled for kids and family.)

Anyway, here’s the excerpt sans editing, for your enjoyment.

As far as plum assignments go, you’d think Philadelphia would be a cake walk. Just set up shop in the Eastern State Penitentiary or at Christ Church at Fifth and Arch. Passersby are used to “ghost” sitings

I got the notice on my birthday. Loosely translated, it said this:

Assignment: Advance Team
Location: Philadelphia

No need to list “North America.” Or even “Earth.” We have a long history with Philly. It’s been the main outpost in that sector for many time cycles. Philly’s notorious.

I had an idea what “advance” team meant, and you would probably use your word “ironic” to describe its use. We’ve been set-up in Philly for a long time, so it would seem a bit late for an “advance team.” I couldn’t be sure, but “Advance” in this case meant The Advance, the once-phantom policy the networks have been dreaming about for years. The time when we fully integrated Earth into the network. Someone would get a big, fat promotion for this. That person wouldn’t be me.

My parents were dispatched to Philly before I was born. So, in essence, I grew up almost like every other kid here. And just like every other outpost brat, I’ve caused my fair share of royal almost-expose-centuries-of-work mishaps. Thankfully, I was luckier than most, as one of my parents is from a clean-up crew clan and always knew what to do. Still, evidence of my maturization phase lies scattered around the city like a tossed deck of cards. You might make a bad joke here about the “deck being stacked against me” but my people don’t get that kind of humor.

I applied for Translator. After all, being here for so long, I can do both languages. But then again, any of us who are here more than 5 minutes can speak like a native. I felt I was a bit more insightful, though, than your typical alien; I was one of the few who lived like Earth progeny, going to school and socializing. I mean, I have Earth friends. They don’t know what I am, of course, but I can safely say that having friends is rare for us. I figured out a formula for long underwear that blocks the more harmful secretions and magnetic fields from my body, so only a few of my friends over the years have suffered from bad outcomes, and most of those outcomes were gradual and couldn’t be linked to me or my network. My parents are not convinced of my underwear’s efficacy, stating that it is more my superstition than reality. I wear the underwear anyway, just to be safe.

But here it was, my 2908th (in your years) birthday and I am being sent back to Philly. It’s all politics, I’m sure. As I said, this Advance thing is a pipe dream.
————————————–

Loosely translated:

Assignment/ Urging/ Suggestion: Advance Team
Location: Philadelphia

A more strict translation of this message or any event in this story would take too much time, and it would just look repetitive to you. The best way I can describe our communications is like a one-way network: you hear the voices of many, all shouting or whispering at you at once, but none of them hear each other. It isn’t like what you think when you hear the word, but “network” is probably the closest you can get to understanding this.

Here is a rough translation of the conversation with my parents that followed:
Me outward: Philadelphia.
Parent 1 outward: The Mutter Museum is full.
Parent 2 outward: Bring your underwear.
Parent 3 outward: Bring your underwear.
Me inward: *sigh*

Parent 3 is mimicking Parent 2, but really Parent 3 doesn’t realize Parent 2 is making the same joke, because they can’t hear each other. This isn’t one of your conference calls.

So this would be my new assignment. Now, as a full grown person, I would be on the Advance Team on Earth, back home in Philly. I applied for Translator. After all, being in Philly for so long, I can do both languages. But I’ve said that already, haven’t I? We repeat a lot, in our communications. Forgive me. It’s the only way we have to make sure our whole network gets the message.

The Mutter Museum comment I’ll explain in a bit.

_____________________

I wouldn’t be safe until Philadelphia; I knew this. Traveling around in our space is dangerous. There is something called The Trend (this is a sort of “baby talk” translation) wandering around out there and it is to be avoided at all costs. Best way for you to image it is to think of the The Trend as a traveling vacuum vortex that sucks the life out of creatures like me. And I could hear it as I was getting ready to head towards Earth. It was growing, like a sandstorm in one of your deserts, obscuring the pure messages and blocking the wayward thought. The transport was down below, in the garden. I practiced my technique. Slow breath, tunnel vision, simple mind. I tried to be Master Zen Li Zhou.

The Trend got stronger. Turtle, I thought. Turtle Turtle Turtle. The Trend was beating with massive signal noise right outside my door. I had gotten this far, but the turtle wasn’t enough. The Trend crushed the image of the slow-moving earth creature with the devastating wave of a tsunami. I have to think that even Li Zhou would have been no match. I had no choice; I was taken with it.

The signal noise was deafening and constant. My eyes burned and my mind was beginning to race. The speerings started to burn the edges of my brain. Images of Philadelphia were fading quickly into the far away space reserved for dreams.

I could feel my magnetic field expanding, furthering the power of The Trend. I closed my eyes and shut my ears. I struggled to contain it. I fought the nausea that gripped my body. Brutal pain pounded the feeling out of my arms and legs. Then I felt the snap. It was subtle and vaguely satisfying, so small a click I almost didn’t feel it. My friends on Earth described the moment when they realize they are drunk. It seems similar. I was beginning not to care.

My function began to deteriorate. My field was inextricably linked with The Trend. I’d never get back to Philadelphia. I’d be at The Trend’s mercy for the rest of my days.

_____________________
Back in Philly, it was Halloween. It’s a rare holiday celebrated by few inhabitants, but it was my favorite, for obvious reasons.

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Right now I’m sitting in a cloud of old-book smell. I checked “Critic’s Choice” out of the library today. (No ISBN. Library of Congress Catalogue Card #55-10113)

book pic

This book contains the full texts of all the New York Critic’s Circle Prize winners for the years 1935 through 1955. There were no prizes granted for the seasons of 1938-39, 1941-42, 1943-44, and 1945-46. The Great Depression and World War II dominated those years, so I’m sure there is some interesting story behind those absences.

I checked the book out for its possession of The Glass Menagerie by Tennessee Williams. I am researching character for my own novel and I wanted to also study the dialog in this play (plays, for obvious reasons, are wonderful for examples of effective dialog).

Here are the plays and years that are in the book:

1935-36: Winterset by Maxwell Anderson
1936-37 High Tor by Maxwell Anderson
1937-38 Of Mice and Men by John Steinbeck
1939-40 The Time of Your Life by William Saroyan
1940-41 Watch on the Rhine by Lillian Hellman
1942-43 The Patriots by Sidney Kingsley
1944-45 The Glass Menagerie by Tennessee Williams
1946-47 All My Sons by Arthur Miller
1947-48 A Streetcar Named Desire by Tennessee Williams
1948-49 Death of Salesman by Arthur Miller
1949-50 The Member of the Wedding by Carson McCullers
1950-51 Darkness at Noon by Sidney Kingsley
1951-52 I Am a Camera by John van Druten
1952-53 Picnic by William Inge
1953-54 The Teahouse of the August Moon by John Patrick
1954-55 Cat on a Hot Tin Roof by Tennessee Williams

The book also contains a lengthy Introduction, titled “Twenty Years in the American Theatre” and an Appendix with the guilty parties, a.k.a. Roster of the New York Drama Critic’s Circle from 1954-55, Presidents of the Circle and the list of Pulitzer Prize plays from 1935-55. I won’t be reading through any of that because I’m not a historian or fan of the upper crust of NYC, and please don’t try to engage me in debate about any controversies that may have surrounded this seemingly incestuous prize awarding. I’m just here to pick up some tips from the dead white men who dominate the list. Next I’ll move on to some modern literature, because I feel quite disconnected from any authors in this book. Unfortunately or fortunately American literature classes are still dominated by these dusty classics, and I only know how/what to study the way I’ve been taught.

If you have any great modern examples (let’s say, after 1980) then I’d appreciate the suggestions greatly. Thanks.

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The painting by Norman Rockwell that depicted Ruby Bridges’ first day of integration:

The Problem We All Live With.

The Problem We All Live With.

49 years later, it is now a President’s daughter that gets the escort, and a more joyous walk:

Sasha's first day

Sasha's first day

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Some bloggers use sidebar widgets that show the avatars (or pictures) of recent visitors to the blog, along with the reader’s name and a link to the reader’s account (see picture). These are reader communities, and I’m not a big fan of posting them on a blog.

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Sitting around last night watching TV, I wrote up an entry for super-geek Chris Pirillo’s contest.

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Today I was hit by the cold, hard fact that my kid will be an infinitely better writer than I’ll ever be.

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Jonny Goldstein put out a challenge on Utterz for a Haiku-a-Day. I managed only one. You can go to my account, PurpleCar, on Utterz or here to listen, but here is the text:

 

Endless messages,
A desperate search, I swear
you said you loved me. 

 


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Since attending podcamp philly, I’ve come upon a bunch of cool new sites lately, like BlipTV, Viddler, Upcoming and Twitter. One in particular is quite fun: StumbleUpon. Stick in the types of websites you’d like to surf to, download a toolbar and click. “Writing” is a category, “Poetry” is a category. How cool is that? I wrote this poem at isnoop after “stumbling” upon it. I call the poem “Weaving.”

Fridge Magnet Poetry

It reads:

as the first build

changes

your world,

grow one country on the net:

write words

ripe and needy and

stand with every

sentence

in life two.o

(my little nod to the phenomenon we all call Web 2.0)

As most of you know, fridge poetry must be constructed out of a very finite amount of pre-set words. Instead of restraining creativity, this actually brings out extraordinary inventiveness, sometimes producing great poems. There have been entire books published in the regular mass market with amateur poets’ submitted fridge work.

I’m not saying my poem is publish worthy, but making it was fun! StumbleUpon’s “directed” surfing can bring you towards your creative center, be it fridge poetry or free code. Don’t waste time, spend it!

-PC

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I was browsing through the Writer Magazine links, and I found Blue Mountain Arts, Inc., a greeting card company.  Blue Mountain Arts held a poetry contest; the 3rd place winner’s entry is pretty good (aside from the bulky title and use of hyphens). 

The poem is short (just a few lines), it paints a picture of one place in time and the author uses descriptive words with unlikely nouns – a love of mine (when it works well).

I googled Tessa Zeng and found this  Deviant Art page  but it may or may not be the same author.   Whereever she is in on the Web and in life, I hope she keeps writing.  She’s a talent to watch.



“disheartening epilogue to cold days”

by Tessa Zeng

she’s hanging up the sheets outside, little kid shorts
shirts and elusive socks
long underwear from a long winter

wearing nothing but a blue dress
melting her into the heat-filled sky

a wisteria-covered lawn
and a weeded dream
the porch is empty like remorse, sweat is dropping
between her shoulder blades

well, she’s barely
twenty and holding it in
stringing up clothes on the line all the while

from a piled up basket of laundry
she sighs and unfolds the

short memories, a shorter romance, and
a white starched innocence shortest

of all

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poem published in March, 2005

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