The Girl with the Dragon Tattoo. Book 1 of 3, called “The Millenium Trilogy,” written by Stieg Larsson (deceased).
You can find a story synopsis at the wikipedia entry. Please see it for a synopsis. This post concentrates on my experience with the book and its themes.
The Girl with the Dragon Tattoo by Stieg Larsson was translated from its original Swedish into English by Reg Keeland. Before I get into the review of the book, I feel I must mention the controversy that surrounds the English translation of the novel. The translator Reg Keeland was apparently so aghast with the English editor’s after work that he insisted that the credit of translation be given to a pen name; he was so disgusted with the final output that he wanted no part of it. He especially seemed annoyed with the change in title. The original Swedish was either “The Man Who Hated Women” or “Men Who Hated Women.”
I consider myself a pretty typical American reader, and I have to say, I’d have never, ever picked up a book with that kind of title. “The Girl with The Dragon Tattoo” plays to our American sense of intrigue, and it does refer to a trait of one of the main characters. I have more issue with one version of the cover image.

The hair should be black and spiky and the skin should be pale.
The hair and skin color of the woman in the photograph don’t remotely match the description of said “girl” (a woman of about 25 years old). [I have a whole other issue with calling women over age 18 “girl” but I’ll mention that in a bit.]
I haven’t found any interviews with Mr. Keeland to know exactly what his complaints are, but I found the book to flow well regardless. I was never stopped abruptly by unfamiliar cultural nuances or odd dialogue. Knowing that Mr. Keeland was severely disappointed with the final English translation makes me curious what I missed. I’d love to know how this excellent book could be better.
Finding out the original title whilst in the throes of the plot was a strange experience. Before knowing the original title, I really had no idea where the plot was going. Once I had “Men Who Hated Women” in my head, I had different suspicions on where the events were leading. I almost wish I didn’t know, because the shock of the final battles would be even more startling. Then again, I’m too sure I could’ve stomached it without the forewarning.
If it weren’t for the buzz and the interesting title, I’d have avoided this book. I’m not much of a crime thriller reader. I read all 4 Dan Brown books and enjoyed them, but I don’t search out crime novelists. When I heard rumblings about Larsson’s The Girl with the Dragon Tattoo, I didn’t catch that the book was in the crime thriller genre. It sounded interesting, so I picked it up from the library.
The book is massive: 465 pages. I knew I wouldn’t be able to finish it in the small amount of time I had it on loan from the library; it’s a new book and it had limited release time. I turned to the audio version. By listening to the book on CD, I could fit in some “reading” time while I was running, cooking or cleaning. When I could, I’d pick up the story in the print version right where the audio book left off.
It took weeks and a few different tries to finally get a hold of the UNabridged version of the audio performance of the book. For some reason, the library records have the abridged version and unabridged version under identical records. Other people had requested the print book, so I had to let it go for a while before I could get it back. I’d returned and then signed out the print version again while I waited for the unabridged copy of the audio book to show up.
When I did get the print book back, I was even more eager to continue on with the story. The first few chapters set up the characters so beautifully that I was haunted. Like an “earworm,” an incomplete song that repeats in your head, the characters and scenes would come back to haunt me. The only way to solve an earworm, psychologists say, is to look up the lyrics of the song and sing them through, from beginning to end. It’s thought that earworms occur because your brain is trying to resolve the discrepancy in the lyrics. Solve the discrepancy and the lingering haunt of a refrain disappears. That’s the theory, anyway.
The characters kept coming back to me. Read the rest of this entry »

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Stieg Larsson