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Inside Out has a 10 article series “about sexual assault and comics” worth checking out, even if you don’t read comics. The second and third installments are specifically about writing rape scenes. Here’s a quote from the second installment:

I previously discussed some of the more common trends in the portrayal
of sexual assault in comics and came to the conclusion that the most
problematic instances stem from a combination of ignorance and
laziness: writers who use rape as a shortcut to add depth to characters
without concerning themselves with the depth of the stories themselves.
As a result, they end up relying on tired tropes and stereotypes, and
their stories in turn perpetuate some of the most harmful and
misogynistic myths about sexual violence.

Great point. Like it or not, if we write for public consumption, we carry a responsibility to educate and inform, even if we are writing fiction. Relying on stereotypes for any character’s action or background shows lack of effort, and readers will get bored easily. Inside Out’s keen observations can be applied to any violent or deeply dramatic scene – delve into your character’s mindset and write her reaction as if she were a real person. Don’t dig up a haggard old urban myth and perpetuate damaging images in our society. Writers are the voice, the prophets, the educators of our culture. Strive for building a broader understanding to help us all move on and grow.

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CNN article: Jodi Picoult to write Wonder Woman

Bestselling author tackles comic books – CNN.com
Bestselling author tackles comic booksStory Highlights

• Bestselling novelist Jodi Picoult writing “Wonder Woman”
• Picoult decided to focus on challenges of Diana Prince
• She’s just second woman to write character in history

By Matt West
CNN

LOS ANGELES, California
(CNN) — Jodi Picoult is known as a serious novelist. Her latest
effort, “Nineteen Minutes,” is currently sitting in the top five on the
New York Times bestseller list and has earned rave reviews from such
publications as The Washington Post and Publishers Weekly.

But
“Nineteen Minutes” isn’t the only new project bearing the 40-year-old
writer’s name. There’s also the latest issue of DC Comics’ “Wonder
Woman.”

Picoult’s five-issue run doing the title makes her only
the second woman to write the character in its 66-year history. But
despite the assignment’s historical significance, when DC originally
approached her to pen the story — the company had noticed a character
in Picoult’s “The Tenth Circle” was a comic-book penciller — she
wasn’t entirely sure she had the time (or the desire) to do it.

Her children convinced her otherwise.

“My kids looked at me and they were like, ‘Mom, you totally have to write ‘Wonder Woman!’ ” she told USA Today. (Gallery: Wonder Woman and Picoult)

So
Picoult rearranged elements of her hectic work schedule and dove into
research. (She admits to not being much of a “Wonder Woman” fan growing
up — “X-Men” was more her speed.) Looking back on the character’s six
decades in comics, Picoult found the story focused more on Wonder
Woman’s exploits as a superhero and less on the life of her alter ego,
Diana Prince.

That angle baffled her. Diana Prince is a far more interesting character, she says, and offers plenty to work with.

“Over
the years, she has had many different incarnations in the human world,
some that I thought were pathetic,” she says. “[But[ there’s never been
something that a reader could sink their teeth into and say, ‘Oh yeah,
this is why I’m like her.’ ”

‘She’s slumming it with all of us’

There
are some who might describe Picoult as a real-life “wonder woman,”
balancing a career as a writer with her responsibilities as a wife and
mother of three.

She disagrees.

“You can be the strongest
woman in the world, and be incredibly sure of yourself in many realms
of your life, and yet there’s always going to be a chink in your
armor,” she observes. “There’s always going to be one part of your life
that you wonder, ‘Am I doing a good enough job?’ ”

It’s that very real internal struggle that drives Picoult’s fictional “Wonder Woman” story.

Recent events in the DC universe find Wonder Woman (and Prince) struggling with her place in the world.

“She
is not human and elevating herself to the level of a superhero like
Batman or Green Lantern. Instead, she is other than human and she’s
slumming it with all of us,” Picoult observes.

Prince’s struggle
is further complicated by work as an agent for the Government’s
Department of Metahuman Affairs — for which her assignment is
apprehending none other than Wonder Woman.

In a rare moment of
vulnerability, she tearfully asks her partner, Tom Tresser, “Why don’t
people just leave her alone?” Seconds later, duty calls — and Wonder
Woman is forced into action.

It’s a moment that Picoult says any woman can relate to.

“You
have your pity fit, you do what you have to do. But then, you move on.
You just pick up the pieces, and you jump in. And that ultimately, is
always going to be Diana’s strength.”

DC Comics is a unit of Time Warner, as is CNN.

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Student arrested for essay’s imaginary violence – CNN.com

Student arrested for essay’s imaginary violence

 

Story Highlights

  • High school senior wrote about shooting, stabbing, drugs, sex
  • Class was told to write whatever came to mind, without censoring their thoughts
  • Allen Lee says his essay exaggerated for creative effect and was “just junk”

• Lee, a straight-A student, charged with disorderly conduct; could get 30 daysCARY, Illinois
(AP) — A high school senior was arrested after writing that “it would
be funny” to dream about opening fire in a building and having sex with
the dead victims, authorities said.

Another passage in the essay
advised his teacher at Cary-Grove High School: “don’t be surprised on
inspiring the first CG shooting,” according to a criminal complaint
filed this week.

Allen Lee, 18, faces two disorderly conduct
charges over the creative-writing assignment, which he was given on
Monday in English class at the northern Illinois school.

Students
were told to “write whatever comes to your mind. Do not judge or censor
what you are writing,” according to a copy of the assignment.

According
to the complaint, Lee’s essay reads in part, “Blood, sex and booze.
Drugs, drugs, drugs are fun. Stab, stab, stab, stab, stab,
s…t…a…b…puke. So I had this dream last night where I went into
a building, pulled out two P90s and started shooting everyone, then had
sex with the dead bodies. Well, not really, but it would be funny if I
did.”

Officials described the essay as disturbing and inappropriate.

Lee said he was just following the directions.

“In
creative writing, you’re told to exaggerate,” Lee said. “It was
supposed to be just junk. … There definitely is violent content, but
they’re taking it out of context and making it something it isn’t.”

Lee was moved to an off-campus learning program, and the district was evaluating a punishment, schools spokesman Jeff Puma said.

“It wasn’t just violent or foul language,” Puma said. “It went beyond that.”

The
teenager’s father, Albert Lee, has defended his son as a straight-A
student who was just following instructions and contends the school
overreacted. But he has also said he understands that the situation
arose in the week after a Virginia Tech student gunned down 32 people
before committing suicide.

Defense attorney Dane Loizzo said Allen Lee has never been disciplined in school and signed Marine enlistment papers last week.

A conviction could bring up to 30 days in jail and a maximum $1,500 fine.

Copyright 2007 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.

 
 
 
 
Find this article at:http://edition.cnn.com/2007/US/04/27/student.essay.arrest.ap/index.html
 
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Getting a handle on just what is e-literature | Inquirer | 04/22/2007

 
 
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Getting a handle on just what is e-literature

So
far in DigitaLit we’ve experienced a few new-media moments, including a
young adult novelist who would rather publish on her blog than in
print, and a huge online archive of audio files that break individual
poems recorded at poetry readings into small MP3s, kind of like pop
singles.These subjects made for interesting discussions, if I do say so myself.

But
wouldn’t it be nice to get our arms around this thing, to get a sense
of the full breadth and scope of what’s called digital literature?

The 60 works in the first volume of the Electronic Literature Collection (ELC) (http://collection.eliterature.org)
– edited by N. Katherine Hayles, Nick Montfort, Scott Rettberg and
Stephanie Strickland – show the wide range of forms that exist within
the genre.

Take the collection’s keyword page, which breaks
electronic literature into 56 possible categories. Not all of these are
specific to digital media – I found the familiar “memoir,” “poetry,”
and “satire” – and some describe the platform on which the piece was
developed or its features, such as “audio,” rather than actual forms of
e-literature.

The editors also included categories that don’t refer to anything in the ELC “to try to make it clear that the Collection,
despite our efforts, doesn’t represent everything,” Montfort, a
doctoral candidate at the University of Pennsylvania, explained via
e-mail.

“Electronic literature is not a literary movement with
abstract, unified goals, nor is it a single community of practice,” he
said. “This makes the Collection less coherent than the usual anthology, but it also accounts for the wide variety of work in it.”

To
wit: A piece made in Flash by Reiner Strasser and Alan Sondheim that
uses sound, photography, and text, “Dawn” is a poem that reveals itself
textually one stanza at a time. The text fades in and out in front of
photographs of the outdoors that also shift slowly, suggestive of the
changing light of early day, from one image to another.

In
“Galatea,” Emily Short’s work of interactive fiction, the reader (or
player?) gives instructions to a lovely illustration of the character
Galatea via a chatbot program, which causes the story to unfold
differently each time.

“The Dreamlife of Letters,” a poem by
Brian Kim Stefans, is categorized as “ambient” because it runs on its
own and allows for no interactivity, not even a pause button. The
delightful 11-minute program takes us through the alphabet with words
that swing around each other, vibrate like silent alarm bells,
disappear, reappear, and recombine in funny and unexpected ways. The un in unconscious, for example, pulls away from the word, turns into a bunch of ums, and drifts out of view.

And
in “Birds Singing Other Birds’ Songs,” simple drawings of birds
outlined with transliterations of birdsong (“wah-wah,” “dee-dee”) move
around the screen as recordings of human voices read the sounds.

Looking
at the array of styles within the 60 works in the collection, I had to
ask: At what point do pieces that move and make noise have more in
common with other forms – film, maybe, or installation pieces – than
with traditional fiction or poetry?

“In thinking about ‘Birds
Singing Other Birds’ Songs,’ I find that it has a particular
relationship to sound and concrete poetry – which are literary
traditions specifically, although also hard to read – and that it also
comments on the processes of transcription and reading [aloud] in a
literary way,” Montfort said.

“I think many people have a
difficult time seeing how certain pieces in the collection can be
understood as literature – including Collection authors and, at times during the editorial process, those of us who edited the Collection.
Let me suggest what could be more interesting questions, though: How do
we read them, or how do they read themselves to us? These are questions
that pertain to literature, but which art and film don’t always ask.”


Katie
Haegele is a writer who lives in Montgomery County. You can experience
all the pieces in the Electronic Literature Collection by visiting http://collection.eliterature.org. Also see the Web site to request a free copy of the CD-ROM through the mail.

 
 
 
 
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Haiku: Geeky plotting exercise.

Geeks seem to love Haiku, a Japanese poetry form of a 3-line unrhymed poem with a 5-7-5 syllable pattern. Perhaps it
is the code-like challenge of having limited syllables/lines in which to
relay a message that is so attractive to propeller heads.

A while ago, Salon.com hosted a Haiku contest, entries from which was a popular social/viral email My favorite from the group:

Windows NT crashed.
I am the Blue Screen of Death.
No one hears your screams.

— Peter Rothman

Fortunately, I have a long background in technology support. Unfortunately, this does not preclude me from experiencing data loss:

With searching comes loss
and the presence of absence:
“My Novel” not found.

— Howard Korder

The funny examples are all over the internet. Read this and this to learn about a “famous” (in Geekdom) haiku that describes decrypting DVDs.

My point: Haiku can be a great break-up-the-monotony practice for fiction writers. A little
experiment: break your novel or short story into chapters or sections,
write a haiku summarizing the action for each. Re-read the section.
You may surprise yourself at the gap between what you think the section
should be about and what is really happening in it. Writing a logline
for each chapter would be a similar exercise.

They say good fiction
means writing rich characters.
A great plot sells books.

-PC

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